SydniMichael
....ruining minds.
SydniMichael
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int0design:

Photo http://homedecorobsession.tumblr.com/post/93330190643
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avina:

midnight-charm:

Lakshmi Menon by Nagi Sakai for Please Magazine F/W 2012

queen
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asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
asylum-art:

Fábio Magalhães
Fábio Magalhães works with self-reference painting. Metaphorically connecting images of his own body, feelings and banal situations, he aims at pointing out conditions inconceivable to be portrayed but through artifices and distortions of reality. As for this, his art pieces are the result of a modus operandi that makes part of the photographic universe and results in a kind of parallel reality, materialized in the universe of painting. In which, he creates contours of a disturbing reality.
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delta-breezes:

Coffee Syrups | How Sweet it Is
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"and maybe you gave him
more love
than his heart could hold."
'capacity' by Della Hicks-Wilson (via dellahickswilson)
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catmota:

Bottle Brush Trees
Jian Chong Min
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